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＜p＞＜em＞Thinking Through Theatre and Performance＜/em＞ presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks?＜/p＞ ＜p＞Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world.＜/p＞ ＜p＞＜em＞Thinking through Theatre and Performance＜/em＞ is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞Composed in 1905 this ragtime waltz Bethena - A Concert Waltz was described as an enchantingly beautiful piece that was among the greatest of Ragtime Waltzes, a masterpiece and Scott Joplin's finest waltz by his contemporaries Duet Sheet Music for Eb Instrument accompanied by F Instrument arranged by Lars Christian Lundholm. Bethena is also known by alternative title: Bethena - A Concert Waltz. - Instrumentation: Eb Instrument and F Instrument - Level: Easy and Simplified Range - Score Type: Solo Score - Tempo: Medium - Genre: Ragtime - Composer: Scott Joplin - Year Composed: 1905 - Pages (approximate): 8 Composed in 1905 this ragtime waltz Bethena - A Concert Waltz was described as an enchantingly beautiful piece that was among the greatest of Ragtime Waltzes, a masterpiece and Scott Joplin's finest waltz by his contemporaries Duet Sheet Music for Eb Instrument accompanied by F Instrument arranged by Lars Christian Lundholm. Bethena is also known by alternativ....＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞AAP PROSE Award, Finalist in Media and Culture Studies 2021＜/p＞ ＜p＞In early 1882, before young Oscar Wilde embarked on his lecture tour across America, he posed for publicity photos taken by a famously eccentric New York photographer named Napoleon Sarony. Few would guess that one of those photographs would become the subject of the Supreme Court case that challenged copyright protection for all photographyーa constitutional question that asked how a machine-made image could possibly be a work of human creativity.＜/p＞ ＜p＞＜em＞Who Invented Oscar Wilde?＜/em＞ is a story about the nature of authorship and the “convenient fiction” we call copyright. While a seemingly obscure topic, copyright has been a hotly contested issue almost since the day the internet became publicly accessible. The presumed obsolescence of authorial rights in this age of abundant access has fueled a debate that reaches far beyond the question of compensation for authors of works. Much of the literature on the subject is either highly academic, highly critical of copyright, or both.＜/p＞ ＜p＞With a light and balanced touch, David Newhoff makes a case for intellectual property law, tracing the concept of authorship from copyright’s ancient beginnings to its adoption in American culture to its eventual confrontation with photography and its relevance in the digital age. Newhoff tells a little-known story that will appeal to a broad spectrum of interests while making an argument that copyright is an essential ingredient to upholding the principles on which liberal democracy is founded.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞＜strong＞? la d?couverte de 30 interpr?tes et femmes d'exception＜/strong＞＜br /＞ "Si les noms de Maria Callas, Jacqueline du Pr? et Clara Schumann nous sont familiers, qui conna?t aujourd'hui ceux de Maud Powell, Hazel Harrison, Antonia Brico ou Nejiko Suwa ?＜br /＞ Derri?re ces noms se cachent pourtant des interpr?tes exceptionnelles que l'histoire de la musique a oubli?es, comme beaucoup d'autres, parce qu'elles ?taient des femmes. Gr?ce ? ce livre, je souhaite leur rendre hommage et les r?habiliter au panth?on de l'histoire de la musique.＜br /＞ Certaines ont d? exploser des plafonds de verre pour acc?der ? l'enseignement sup?rieur malgr? des r?glements qui les en excluaient. D'autres ont r?ussi ? force d'audace et de pers?v?rance ? se faire engager comme solistes ou ? entrer dans de grands orchestres jusqu'alors exclusivement masculins.＜br /＞ Certaines sont des anticonformistes, des suffragettes, des pionni?res, des f?ministes engag?es. Certaines n'ont pas eu d'enfant pour ?tre enti?rement au service de leur art, tandis que d'autres ont choisi de mettre un temps leur carri?re en sourdine pour devenir m?res. C'est pr?cis?ment cette diversit? infinie de profils et de parcours qu'il me semble si important de voir repr?sent?e dans notre imaginaire collectif.＜br /＞ Pour penser au pr?sent et au futur un monde o? chacun trouve sa place, il est essentiel que l'histoire soit ?crite au masculin et au f?minin. Il est donc temps de c?l?brer ces grandes musiciennes du pass? et de faire savoir ce dont elles ont ?t? capables !"＜br /＞ ＜em＞Marina Chiche＜/em＞＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞＜strong＞A collection of meditations and reflections on being.＜/strong＞＜/p＞ ＜p＞Jack Ridl returns with a collection of poems that mix deft artistic skill with intimate meditations on everyday life, whether that be curiosity, loss, discovery, joy, or the passing of the seasons. An early reader of ＜em＞Saint Peter and the Goldfinch＜/em＞ said it best: "Ridl's books are all treasures, as is he, and his poetry has always been trout-quick, alternately funny and wondrous, instantly intimate, and free of pretense. All these characteristics can be found in this book, and there is something else, something extraordinary: at an age where most poets are content to roll out an imagined posterity, he's decided to push and refine the art, to see out the day and live it fully, because art and life settle for no less."＜/p＞ ＜p＞The first section of ＜em＞Saint Peter and the Goldfinch＜/em＞ reflects on the author's personal history, with poems like "Feeding the Pup in the Early Morning" and "Some of What Was Left After Therapy." The second section continues with meditations on varied events and persons and includes poems such as "The Last Days of Sam Snead" and "Coffee Talks with Con Hilberry." The third attends primarily to the mystery of love and what one loves and contains the poems "The Inevitable Sorrow of Potatoes" and "Suite for the Long Married." The fourth and final section meditates primarily on the imagined in poems like "Over in That Corner, the Puppets" and "Meditation on a Photograph of a Man Jumping a Puddle in the Rain."＜/p＞ ＜p＞＜em＞Saint Peter and the Goldfinch＜/em＞ is the work of a talented and seasoned poet, one whose work comes out of the "plainspoken" traditionーthe kind of poetry that, as Thomas Lynch puts it, "has to deliver the goods, has to say something about life, something clear and discernible, or it has little to offer." Readers of poetry who enjoy wrestling with life's big questions will appreciate the space that Ridl allows for these ruminations.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞Disasters both natural and human-induced are leading to spiralling costs in terms of human lives, lost livelihoods and damaged assets and businesses. Yet these consequences and the financial and human crises that follow catastrophes can often be traced to policies unsuited to the emerging scales of the problems they confront, and the lack of institutional capacity to implement planning and prevention or to manage disasters. This book seeks to overcome this mismatch and to guide development of a policy and institutional framework. For the first time it brings together into a coherent framework the insights of public policy, institutional design and emergency and disaster management.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞＜em＞Producer’s Playbook: Real People on Camera＜/em＞ is a no-nonsense guide for producers looking to get the best performances from "real people" to tell powerful stories on video. Director/producer Amy DeLouise brings years of experience to this resource for creating the best on-screen impact with non-actors for interviews, re-enactments, documentary and direct-to-camera messages. With useful case studies and tips on everything from managing locations and budgeting to strategies for managing crews and the expectations of executive producers and clients, this is an invaluable resource for professionals working in reality TV, documentary, corporate video, and more.＜/p＞ ＜ul＞ ＜li＞ ＜p＞Ample case studies with perspectives from industry professionals interviewed by the author, as well as her own plentiful stories from the field＜/p＞ ＜p＞Tips are featured in sidebars throughout the text, so that readers can see how the information applies to real situations＜/p＞ ＜p＞Full-color photographs allow readers to visualize real world production situations＜/p＞ ＜p＞The appendix includes useful templates and checklists for working producers＜/p＞ ＜/li＞ ＜/ul＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞Janet Groth entre au New Yorker en 1957 ? pour en repartir en 1978. Vingt-et-un ans de bons et loyaux services derri?re le desk du plus prestigieux magazine am?ricain. Elle y d?barque toute jeune femme ? dix-neuf ans, belle, ambitieuse, des ?toiles plein les yeux et des r?ves plein la t?te ? elle en ressort dipl?m?e de litt?rature et professeur. Car au 18e ?tage de la mythique revue, Janet r?ve d'?crire, un jour... Mais avant cela, il s'agit de r?pondre au t?l?phone, conseiller, accompagner, raccompagner, rassurer les conjoints, transmettre les messages de cette faune cosmopolite d'auteurs ? contenter. Parmi ces personnages haut-en-couleurs, on retrouve Joseph Mitchell avec qui elle d?jeune tous les vendredis, Muriel Spark, dont elle recueille les confidences ou encore E. B. White, un des auteurs phares du magazine. Et bien d'autres. Alors que la r?volution sexuelle est en marche, Janet se lib?re, exp?rimente et s'interroge. Sur les hommes. Et sur la place des femmes dans une soci?t? civile et litt?raire encore ?triqu?e. Curieuse et enti?re, elle livre sans fausse pudeur ses passions d'un ?t?, ses histoires amoureuses d??ues autant que ses relations parfois houleuses avec certains de ses coll?gues masculins.＜/p＞ ＜p＞Vrai-faux roman d'apprentissage, Janet Groth d?peint dans La R?ceptionniste le quotidien de ce temple du journalisme et par l?-m?me une galerie de portraits d'une fra?cheur r?jouissante. Un univers ? la Mad Men : sorte de Peggy Olson, Janet Groth nous guide en coulisse, derri?re le bureau de la r?ception, l? o? toutes les (bonnes) histoires commencent.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞＜strong＞This is the only book of its kind to explore biblical epics from an LGBT perspective, studying films from the silent era, to the postwar major studio era, to the present day.＜/strong＞＜/p＞ ＜p＞In spite of restrictive Hollywood censorship regulations, filmmakers throughout history have pushed the boundaries of sex and violence when making religious films. In this unrivaled text, author and educator Richard Lindsay analyzes the relationship between bible-based epics and "camp"ーfilms with overwrought acting, casts of thousands, and exotic sexuality. Lindsay presents the ways in which camp style identifies films as "biblical" in the mainstream imagination, while undermining their traditional religious messages through the inclusion of sexually diverse subtexts.＜/p＞ ＜p＞Viewed through this lens, this provocative book explores topics like the Jazz Age excesses of ＜em＞The King of Kings＜/em＞, the pre-code decadence of ＜em＞The Sign of the Cross＜/em＞, the horror movie tropes of ＜em＞The Passion of the Christ＜/em＞, and comparisons between ＜em＞Ben-Hur＜/em＞ and the gay male fantasies of 1960s beefcake magazines. Additional content features the history of biblical epics and a comparison of the pious expectations of filmgoers against the real content of the films.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．

＜p＞**The first volume of the revised edition of ＜em＞Chanting from the Heart＜/em＞, by Zen Master Thich Nhat Hanh and the monks and nuns of Plum Village.＜/p＞ ＜p＞Volume I: Buddhist Sutras and Chants for Recitation**＜/p＞ ＜p＞Vol. I: Buddhist Sutras and Recitations, contains sutras from both the Theravada and Mahayana traditions, translated by Thich Nhat Hanh from both the Pali and Chinese canons. In ＜em＞Chanting from the Heart＜/em＞, he included the sutras he felt to be the most essential for study and regular recitation by his lay and monastic disciples. The recitations are verses for contemplation and reading aloud, some written by Thich Nhat Hanh, others handed down through his Vietnamese Zen tradition. These sutras and recitations are read, recited, and chanted regularly during daily meditation sessions in Thich Nhat Hanh’s Plum Village monasteries and practice centers worldwide.＜/p＞画面が切り替わりますので、しばらくお待ち下さい。 ※ご購入は、楽天kobo商品ページからお願いします。※切り替わらない場合は、こちら をクリックして下さい。 ※このページからは注文できません。．．．．．